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It was a Saturday afternoon and Eddie was driving down Franklin.
Traffic was a little heavy--it was always a little heavy since
they turned Hollywood into a mall--and ahead of him in a beat-up
primered Toyota was a clown in full makeup. The clown was in a
rush--everyone except for Eddie always seemed in a rush--maybe
the clown was late for a birthday party or something--and he was
experiencing a bad case of road rage, leaning out the window,
screaming obscenities at the cars ahead of him, red with rage
under the white pancake. It was insane.
The clown tried to swerve around a truck but his worn out Toyota
didn't have the power to pull off those kinds of maneuvers. Eddie
could tell this clown was not a very patient guy; he was probably
one of those drivers who didn't have time to use the clutch and
had torn up his transmission. The clown was getting angrier. He
was pissed off at the other drivers, pissed off at his Toyota,
pissed off at the birthday party kids and their parents who didn't
pay him enough to afford a better car, pissed off at his girlfriend,
pissed off at everything in general as a matter of principal,
and all this indiscriminate anger had rolled up into a big ball
of clown rage. He probably wished he had a stiff drink right now,
and maybe that was pissing him off too. "Aww man, this is too
good!" thought Eddie, full of childlike glee at the thought of
witnessing truth reveal itself.
Eddie had nowhere in particular to go and no set time to be there,
so he decided to follow the clown for a while to see what happened.
He was hoping maybe he'd see a fight. But a mile or so down the
road traffic finally broke and the clown just settled brooding
into his seat and puttered miserably down Sunset.
Eddie had a thing about clowns; a different kinda thing than he
had about midgets. As a kid he didn't think of clowns as people
in makeup. Clowns were just clowns, and their makeup was just
make-up--the same kind of makeup he remembered his mom wearing,
or his Aunt Rita--stuff they put on when they were going out in
public. His mom in makeup was still his mom; his Aunt Rita in
makeup was still his Aunt Rita, and Eddie-the-kid reckoned a clown
in makeup was no different.
This was not the case with the guy in the monster outfit or the
guy in the gorilla suit. As a kid he'd never seen a real monster
except on TV, but he'd seen a real gorilla at the zoo, and could
easily tell the difference. The Shrine Circus stilt walker wasn't
really 8 feet tall. 8-year-old Eddie knew that. Clowns and midgets,
however, were clowns and midgets, period, and it didn't matter
how you dressed 'em up.
Back then Eddie thought midgets were a separate race of people,
just like blacks or Chinese or Indians. He'd noticed that all
the separate races tended to live in their own parts of town,
like Chinatown, for example, and so he reckoned that there had
to be a midget ghetto somewhere.
"Mom, Mom, take me to Midget Town! I wanna go to Midget Town!"
And his mom would give the automatic response that was Universal
to all Moms: "Not now honey. Maybe tomorrow, after you've finished
your homework." The automatic Dad response was "Ask your mother"--at
least, this is what Eddie had heard other kids' dads say. Eddie
never asked his dad anything because his dad was always drunk
and you didn't want to mess with the man when he had a load on,
but he'd seen it in action at his friends' places. Their dads
would say "I don't know. Go ask your mother" and their moms would
say "Not now honey. Maybe tomorrow, after you've finished your
homework."
Eventually Eddie realized that his mom was never gonna take him
to Midget Town, and if he wanted to see it he was on his own.
For the next year he spent pretty much all his allowance money
on bus fare. He'd hop on the bus after school, armed with all
his bus schedules and a tattered map of the city he'd stolen from
his Dad's glove compartment, take the bus downtown to the main
hub and then transfer and explore the city's fringes. He had a
clear picture of Midget Town in his head--all little Victorians,
slightly rundown, in a hilly part of town, most likely on the
East Side.
He never found Midget Town. He would've never even looked for
Clown Town, and in the back of his mind, stuffed alongside all
his other myriad fears, was a serious dread that he might accidentally
wind up there. With his bad luck, the bus would probably break
down on a muddy stretch of dirt road -- Clown Town had dirt roads
he reckoned, ramshackle wooden houses with ripped screen doors
half off their hinges, damp laundry getting soaked in the drizzle
on clothes lines, broken down cars stripped and abandoned on grassless
yards, dirty clown kids running around screaming -- and he'd be
stranded, sucked into Clown Town, forced to work in a circus,
probably never see his friends and family again.
Eddie hated those moments when the clowns hit the ring at the
Shrine Circus. They scared him. Their behavior was aggressive,
and worse than that, it was erratic. The Big Men clowns would
chase the terrified midget clowns, and then the Women clowns would
chase the Big Men clowns, and then the midget clowns would suddenly
turn on their tormentors and the whole thing would run in reverse.
There was no rhyme or reason to it, no clear cut hierarchy of
victim and aggressor, and a terrorized victim could turn into
a violent psychopath for no other reason than they just decided
to. It made even less sense than regular violence--it was like
drunken violence, and just like drunken violence, the worst was
yet to come. In the clown act, this happened when suddenly, inevitably,
one of the clowns would pull out a gun--Eddie hated guns, and
more than that he was terrified of loud noises--and the rest of
the clowns would cower. The gun would go off with a deafening
bang, and then a bunch of plucked chickens would fall to the sawdust
with a thud and everyone would laugh. Everyone but Eddie, who
could not for the life of him figure out what the hell was funny
about that nightmarish display.
Eddie hated the plucked chickens. They seemed so pathetic, naked,
and dead, and you can't hardly get any more vulnerable than that.
He didn't have strong feelings one way or another about live chickens,
but the plucked ones saddened him, and he was afraid, too, that
that's how he was gonna wind up -- pathetic, naked, vulnerable,
and most likely dead.
Eddie was nuts about the midgets. They were about the same size
as him, and while they were adults and he was only 8 years old,
he was nevertheless generally left to fend for himself as though
he were an adult. Midgets carried themselves with a sad dignity
despite being constantly terrorized by big people, either at the
Circus or on Stampede Wrestling, which was the only other place
Eddie'd ever seen them. Yeah, okay, midgets ran around like crazy,
and Eddie preferred to sit as still as possible, but hey, running
around like crazy made perfect sense when you've got big people
with bad intentions chasing you around everywhere. Eddie imagined
that midgets probably yearned to sit still and enjoy a little
peace and quiet. That's why he wanted to find Midget Town. He
wanted some peace and quiet away from the threat of big people.
Clowns were pretty much big people. Clowns were his parents, more
or less, when his parents had had enough to drink, which was basically
all the time. The Shrine Circus Clown act seemed to encompass
all of Eddie's most terrifying nightmares, and the worst thing
about it was that it happened in plain view. If this was how clowns
acted under public scrutiny, Eddie did not even wanna think about
how they acted in private.
Eddie knew all about the difference between a public face and
private reality; the things that people did where no one could
see.
In private, his parents and their friends were a bunch of sloppy
drunks who did stupid and mean things, who behaved erratically,
and whose erratic behavior always seemed to be to the detriment
of children. His father was generally a sullen drunk, sometimes
a mean and violent one, humiliating everyone around him, and,
on the rare occasions that he managed a happy drunk, humiliating
to himself. He'd lost all his front teeth long ago in a drunken
brawl. He'd take out the false ones that replaced them, get this
menacing idiot grin on his face--the only time Eddie ever saw
the man smile was when he had his teeth out--and then he'd sing
"Where is Sylvia", a ridiculous song specifically chosen because it had the most
s's of any song he knew; the slur of the drunk and the toothless
lisp of the s's, the drunken idiot toothless grin, all combined
into a menacing travesty, spittle flying across the room, and
everyone would laugh like it was the funniest thing they'd ever
seen. Eddie's mother when drunk would get loud, and then louder,
and then louder still, and just like in real life nobody would
pay any attention to her, so eventually she'd start to cry, and
his father's happy drunk would turn sour and then angry; he'd
put his false teeth back in and all the rest of the drunks would
leave before things got ugly.
This was the more benign secret stuff that happened just outside
of the public eye; still kinda public, even if it was a bunch
of fellow drunks. The real secrets happened when no one else was
around.
Truth was a weird thing. It seemed like it was wrapped up with
shame, and so it never revealed itself. Everything that happened
under public scrutiny was likely an outright lie, and if not,
it had been sanitized and stripped of reality to such an extent
that they might as well've been lying. The world beyond the front
door was no more real than Disneyland or the zoo or comic books
and television, especially those parts of the world that didn't
involve people. If only everyone could be like the people on TV
the world would be a much better place. And if shit got scary
on TV or in a comic book that was okay, because it was contained,
you had control over it, if you couldn't take it any more you
could just turn off the TV or put the comic away. In real life,
all you could do was close your eyes and wait it out.
Eddie wasn't too nuts about people, not even other kids, because
even in most kids he saw the same sort of malice he saw in his
parents after a few drinks. He was a loner because he preferred
to be alone, not because he was a weirdo, and the fact that the
other kids called him that was exactly why he didn't enjoy their
company. Because he wasn't a weirdo, he reckoned his family weren't
weirdoes either, which meant that they were basically the same
as any other family, even though his limited experience indicated
otherwise.
If other families were just like his family, then he reckoned
other families probably had all sorts of secrets too, maybe just
not ones involving so much drunkenness and malice. As far as Eddie
could figure, everyone had secrets. He was only 8 years old and
he already had a bunch of 'em, many of which involved sex. He'd
pretty much been taught that sex was a secret, and thus surmised
that secrets were sexual.
As he grew older he started to fetishize secrets, and developed
a fetish about the public personas that mask them. Masked women
excited him, as did women in disguise, or with obvious personas
or fronts. It wasn't the mask itself that caused arousal but what
it signified. It had nothing to do with the antiquated idea that
women would engage in all sorts of reckless shenanigans whilst
masked, their true identities hidden. It was the opposite of the
Victorian masquerade ball because the mask was the public face,
and it was their true identities behind the mask that engaged
in the taboo behavior. The secret stuff, the kinky stuff, maybe
even the dangerously deviant stuff, happened behind closed doors,
when the mask was stripped off. The woman with the obvious public
mask seemed to be almost parodying the persona, baldly announcing
her disguise, a brazen declaration of deviancy behind it. Or maybe
it hinted at an over-abundance of sexual secrets, so many that
she didn't dare show her face in public ever, because we'd read
the truth all over her. It was no longer about knowing her secrets
but about sharing them, about becoming part of them, because as
the years went by and he became old enough to hold his own, Eddie
started to desire being part of the secret things that had always
swirled around him.
Dangerous, erratic, violent, often drunk and just as often surly--the
things he'd always associated with clowns became part of what
he sought in women, or at least what he found in the women he
sought. But not clowns. The clowns remained forever clowns. They
were just as frightening as they'd always been, and while they
were no longer necessarily undesirable, they were still best kept
at arm's length. Look but don't touch was Eddie's unofficial clown policy, and even then it remained
imaginary, one of those secret fetishes he knew better than to
ever explore. As for truth--well, maybe the truth didn't lie in
the shadowy recesses he'd always believed it did, but that's where
he'd continued looking, digging deeper and deeper and never really
finding anything but more shadows to dig through. Truth remained
as elusive as Midget Town. |